These guys are one of my favorite bands, and they have a kickstarter campaign at the moment too.
Wednesday, October 31, 2012
Speaking of madness, and music...
Don't Worry About the Sugar Planter! (He's out of his mind.)
These guys are one of my favorite bands, and they have a kickstarter campaign at the moment too.
These guys are one of my favorite bands, and they have a kickstarter campaign at the moment too.
Tuesday, October 30, 2012
Ivy-Clad Tuesday
Sannion posed two questions last week.
1) Who are you?
2) What role does art play in your worship?
I haven't read anyone else's responses yet, but these questions
really get to the heart of some things I'm working through at the
moment. I almost don't even want to talk about it. So I will.
I feel some resistance towards defining myself by the "masks" I
could wear, although in the past I would have said they were part of my
identity. Things like writing poetry and playing music for example.
These were my passions, and they've fallen by the wayside, big-time,
over the past couple years. To the point where I'm not entirely sure if
they are still passions. Or if they are, where my blocks are coming
from. I feel these blocks as far as my spiritual pursuits are
concerned as well, although my devotion for the gods motivates me to
make more of an effort there than with the others.
But why, for example, haven't I ever taken my violin to my Dionysos shrine and just played?
I only now just thought of that question, but it stings and
troubles. Is Dionysos not a god of releasing fears, of breaking
through? Am I not a Dionysian?
Nothing by accident. I seem to remember mentioning in another blog
of mine that I felt as if I was in the process of stripping away and
building myself back up. Perhaps it's a matter of repeating the
question, "What are you, if not this?" and seeing what is left.
But I do know, and this is a fairly recent revelation, that I am a
mystic. I feel that word describes the longing I have and have always
had at my core. Something that feels both restless and peaceful at the
same time, that could not be without the gods. I also know that
something that is essentially "me" persists beyond death, and can be
recognized by my love in another life.
Art is worship and worship is an art. I need to integrate this
truth more deeply. And I need to go dancing again. And maybe paint a
sloppy watercolor of Dionysos while drinking absinthe. In other words,
do the art I know, and do art that I don't know. And not worry about
the outcome. That last, that's important. With art as well as worship,
shouldn't it be the experience and not necessarily the outcome that is
most rewarding?
That's more of a rambling confession than a straight answer, but
there it is. (Is every Dionysian in a constant state of wondering Who
They Are?)
You can call me Aridela Pantherina, and I'm certainly a Dionysian.
Sunday, August 5, 2012
Dreaming of Trees
In a little over a month, if all goes according to
plan, my husband and I will be taking a road trip up to the redwood
forest in honor of our first anniversary!!
Combine my growing craving for green and forests
with a general fascination with redwoods (especially fired up since
reading The Wild Trees by Richard Preston), and you have a very excited
panther. We're going to be camping for several nights in the
northernmost national redwoods park in California. I've been totally
geeking out by researching everything I can, about the redwood trees
themselves, the parks, hikes, you name it.
We're also going to be spending a day and night at
the Joshua Tree National Park, a place I've always wanted to visit but
never have, in spite of its much closer proximity. I love joshua trees,
they are adorable and quirky.
Things we've talked about seeing on the way
include The Lucky Mojo Curio shop in Forestville, and jaunting up to the
Oregon mystery vortex, perhaps stopping at a winery or two. I'm trying
to sedate my inner planner from going to crazy though. Must leave room
for spontaneity.
By the way, if you assumed my favorite tree was a
redwood or a joshua tree, you'd be wrong. It's a boojum tree. Which
looks like a tree that got stuck in a vortex, incidentally.
And of course, the best part is that I get to
experience this whole trip with the one person I can never get enough
of. I'm even just excited at the prospect of the hours of driving in
the car together.
So this is the stuff I've been daydreaming (and sometimes nightdreaming) about and no doubt will be for the next month. I feel like whatever I can imagine is guaranteed to be trumped by the experience itself. I've been pondering things like, what are the nymph spirits there like? What sort of faces of Dionysos might I see in such a forest? What sort of mushrooms might we find? Ha! Can't wait!
We have a camping trip next week as well, to a favorite spot along the Mogollon Rim. It's funny how much I've turned into a camping person. I didn't used to be! But now I find I get a soul-craving for it if I've been away from nature too long.
So this is the stuff I've been daydreaming (and sometimes nightdreaming) about and no doubt will be for the next month. I feel like whatever I can imagine is guaranteed to be trumped by the experience itself. I've been pondering things like, what are the nymph spirits there like? What sort of faces of Dionysos might I see in such a forest? What sort of mushrooms might we find? Ha! Can't wait!
We have a camping trip next week as well, to a favorite spot along the Mogollon Rim. It's funny how much I've turned into a camping person. I didn't used to be! But now I find I get a soul-craving for it if I've been away from nature too long.
Wednesday, August 1, 2012
To Dionysos
My god,
I hope you know
that I could never not be devoted to you.
Though I know I've seen only a fraction,
walked little of this labyrinth,
and still question my intuition,
you are the grand hologram,
the lightning strike that cannot be unseen
even when I didn't know I had the eyes for it.
If you never spoke a word to me,
never stroked my skin to gooseflesh
or caught me as I danced recklessly in your name,
it is all only to remember the truth,
(which is eternal)
that you are in my blood, my tears, my breath,
my love and longing,
for this life (Life!)
filling me to the brim.
And even when i pass away this body
whose limbs have swayed and lept, knelt and walked,
wrought and ached, for you.
Still, you will be there.
I know and I remember.
Faraway Lightning
This song makes me think of Dionysos...
Sunday, July 8, 2012
The Festival of Ariadne
When the sun goes down, we start preparing things... molding snakes out
of clay, making beeswax candles, readying the feast food... and all the
small details that goes into setting up the ritual space.
It's already late when we begin.
A creosote branch dipped in saltwater cleanses the space, each other, and makes the small room smell like rain.
We vibrate our chakras, using Greek god names.* Our energies align, our senses open.
In the North, the bull. In the South, the snake. In the East, the vine. In the West, the ivy.
We call you, Dionysos! Bull-faced Lord of the Labyrinth. Gentle and kind-hearted God, who wed the fair Ariadne and gifted her with stars for jewels. Shape-changer, initiator, god of life. Come to us, like the roar of the ocean’s waves. Embrace us like the ivy, O Lord. We welcome you, Beloved God.
We call you, Ariadne! Lady of the Labyrinth, who holds the mysteries of the Underground and the ecstasies of the heavens. Daughter of the Moon, whose brothers are full of secrets - honeyed Glaucus and two-natured Asterion. Wife and lover of Dionysos, the most wild and ecstatic god. You lead the maenads in their dance. Bearer of serpents, you have known madness, grief and death, and have reclaimed your divinity. Your crown shines in the summer sky. Come to us, riding a panther and carrying your sacred thread, the color of blood. Priestess of the Bull, most holy and pure Ariadne, we celebrate your ascent to the heavens. We honor you, light in the darkness, You who holds the key. Come to us, with the grace of a swarm of bees, with the wide-eyed knowing of the owl. We feast for you, we dance for you, we would behold you, Beloved Goddess.
White wine from Crete is poured in offering. And honey is offered as well.
To All the Gods, honey. To the Mistress of the labyrinth, honey.
We meditate in silence to prepare. Incense smoke of dittany and bay fill the room. I feel Ariadne's presence like I have not before. She seems pleased, and is wordlessly bidding me prepare for what She has in store.
Then the drums begin, and we take the pose of the Minoan Snake Goddess.**
Arms raised aloft, the posture becomes strenuous in stages. Part of me feels sad that I do not sense Her anymore. But this feels like an initiation, so perhaps that is the point... I sweat and endure, in and out of trance. There is a vastness around me. My husband tells me later that he knew right away the posture was not for him, and was bid to be the bull, to dance for the Lady of the Labyrinth, instead. Snakes and bull. Snakes and bull. That is as much as can be put into words...
As we end that portion of the ritual, I feel invigorated. With a bottle of mead in one hand and a ball of red yarn in the other, we begin our walk to the labyrinth. The night is warm but not uncomfortable.
After walking a little over a mile, we are there. We spend some time looking at stars, pointing out constellations.
I walk first. I don't think of much particular, but I am calm and at peace. When I get to the center, I remember other labyrinths I have walked. How my shadow looked at sunrise the first time I walked a labyrinth, on my birthday, many years ago. The labyrinth I walked in Sedona when I made a life-altering decision. I feel the thread that ties me to those times, those selves. I face outward and notice how wide the night sky seems, and how in-the-middle-of-everything- mundane
this particular labyrinth is. By a city street, between office
buildings and a church. And yet wherever a labyrinth is, it creates a
feeling of center. It reminds us that the center is not exclusively on a
sacred mountaintop somewhere, but it is wherever we are when we become aware of our place in the universe.
While my husband walks, I lay down on a bench and look at the stars. I lift up my ball of yarn and eclipse the moon. I pull out the string and imagine I'm connect it to various stars. As I bring my arms back together and let the yarn fall slack, it twists into the shape of a noose dangling towards my face. I smile.
On the walk back, my shoe breaks and I walk barefoot part of the way, but this doesn't bother me.
Exquisitely hungry and exhausted, once we get home we shower and feast before ceremoniously passing out.
It's already late when we begin.
A creosote branch dipped in saltwater cleanses the space, each other, and makes the small room smell like rain.
We vibrate our chakras, using Greek god names.* Our energies align, our senses open.
In the North, the bull. In the South, the snake. In the East, the vine. In the West, the ivy.
We call you, Dionysos! Bull-faced Lord of the Labyrinth. Gentle and kind-hearted God, who wed the fair Ariadne and gifted her with stars for jewels. Shape-changer, initiator, god of life. Come to us, like the roar of the ocean’s waves. Embrace us like the ivy, O Lord. We welcome you, Beloved God.
We call you, Ariadne! Lady of the Labyrinth, who holds the mysteries of the Underground and the ecstasies of the heavens. Daughter of the Moon, whose brothers are full of secrets - honeyed Glaucus and two-natured Asterion. Wife and lover of Dionysos, the most wild and ecstatic god. You lead the maenads in their dance. Bearer of serpents, you have known madness, grief and death, and have reclaimed your divinity. Your crown shines in the summer sky. Come to us, riding a panther and carrying your sacred thread, the color of blood. Priestess of the Bull, most holy and pure Ariadne, we celebrate your ascent to the heavens. We honor you, light in the darkness, You who holds the key. Come to us, with the grace of a swarm of bees, with the wide-eyed knowing of the owl. We feast for you, we dance for you, we would behold you, Beloved Goddess.
White wine from Crete is poured in offering. And honey is offered as well.
To All the Gods, honey. To the Mistress of the labyrinth, honey.
We meditate in silence to prepare. Incense smoke of dittany and bay fill the room. I feel Ariadne's presence like I have not before. She seems pleased, and is wordlessly bidding me prepare for what She has in store.
Then the drums begin, and we take the pose of the Minoan Snake Goddess.**
Arms raised aloft, the posture becomes strenuous in stages. Part of me feels sad that I do not sense Her anymore. But this feels like an initiation, so perhaps that is the point... I sweat and endure, in and out of trance. There is a vastness around me. My husband tells me later that he knew right away the posture was not for him, and was bid to be the bull, to dance for the Lady of the Labyrinth, instead. Snakes and bull. Snakes and bull. That is as much as can be put into words...
As we end that portion of the ritual, I feel invigorated. With a bottle of mead in one hand and a ball of red yarn in the other, we begin our walk to the labyrinth. The night is warm but not uncomfortable.
After walking a little over a mile, we are there. We spend some time looking at stars, pointing out constellations.
I walk first. I don't think of much particular, but I am calm and at peace. When I get to the center, I remember other labyrinths I have walked. How my shadow looked at sunrise the first time I walked a labyrinth, on my birthday, many years ago. The labyrinth I walked in Sedona when I made a life-altering decision. I feel the thread that ties me to those times, those selves. I face outward and notice how wide the night sky seems, and how in-the-middle-of-everything-
While my husband walks, I lay down on a bench and look at the stars. I lift up my ball of yarn and eclipse the moon. I pull out the string and imagine I'm connect it to various stars. As I bring my arms back together and let the yarn fall slack, it twists into the shape of a noose dangling towards my face. I smile.
On the walk back, my shoe breaks and I walk barefoot part of the way, but this doesn't bother me.
Exquisitely hungry and exhausted, once we get home we shower and feast before ceremoniously passing out.
-----------------------------------------------------------------------------------------
* This is a strange mix of systems, I realize, but it works for me. I vibrate the following god-names to correspond to the chakras: Root - Dionysos / Sacral - Aphrodite / Solar Plexus - Apollon / Heart - Ariadne / Throat - Hermes / Third Eye - Persephone / Crown - Dionysos
** Using the postures of ancient figures and statues as "keys" to specific types of trance or spirit journeying was researched by anthropologist Felicitas Goodman. Her theory was that these poses are not arbitrary, but are encoded information from that culture about how they interacted with the spirit world. Her research found that the posture being held for about 15 minutes while listening to drumming or rattling at 210 bpm (beats per minute) would allow for trance experiences specific to that posture -- some postures were found to be divinatory, healing, metamorphic, or conducive to traveling to the upper or lower world. A few were also found to be initiatory or simply celebratory in nature. The Minoan Snake Goddess posture was NOT one researched by Goodman or other authors of books teaching her methods (to my knowledge), but I believe from my own experience that it is an initiatory posture. I've been planning a more extensive blog post about my experiences with ecstatic trance postures, which I started experimenting with nearly 4 years ago.
* This is a strange mix of systems, I realize, but it works for me. I vibrate the following god-names to correspond to the chakras: Root - Dionysos / Sacral - Aphrodite / Solar Plexus - Apollon / Heart - Ariadne / Throat - Hermes / Third Eye - Persephone / Crown - Dionysos
** Using the postures of ancient figures and statues as "keys" to specific types of trance or spirit journeying was researched by anthropologist Felicitas Goodman. Her theory was that these poses are not arbitrary, but are encoded information from that culture about how they interacted with the spirit world. Her research found that the posture being held for about 15 minutes while listening to drumming or rattling at 210 bpm (beats per minute) would allow for trance experiences specific to that posture -- some postures were found to be divinatory, healing, metamorphic, or conducive to traveling to the upper or lower world. A few were also found to be initiatory or simply celebratory in nature. The Minoan Snake Goddess posture was NOT one researched by Goodman or other authors of books teaching her methods (to my knowledge), but I believe from my own experience that it is an initiatory posture. I've been planning a more extensive blog post about my experiences with ecstatic trance postures, which I started experimenting with nearly 4 years ago.
Labels:
ariadne,
chakras,
Dionysos,
ecstatic postures,
festival,
invocations,
labyrinth,
minotaur,
ritual,
wine
Saturday, July 7, 2012
Devotions to Ariadne
I've been a bit negligent on observing devotional days and I've
been trying to change that this month. I realized that part of my
problem is that I feel as if I should be able to devote a whole *day* to
each one, and so when that seemed impossible, I would try to move it
around, but inevitably other obstacles, and you know, life, gets in the
way. So I'm telling myself that "the day is the day is the day". Whole
days set aside for festivals are wonderful, but there's no need to be
separating the spiritual from the mundane completely all the time, and
in fact probably a lot of arguments FOR blending them. I've revised my
lists of possible activities for each devotional day, to include small
activities as well as more time consuming ones. And most importantly, just
keeping the god/dess in mind during the day, and being present, paying
attention... which doesn't take any time, simply effort! This small
change in perspective seems to be working well for me this month.
When I first started observing devotional days, the 4th was for
Aphrodite. I had a small shrine for Her as well. Though I never had
any direct experiences with Her, I felt like I couldn't NOT honor the
blessings of love in my life somehow. Aphrodite is a grand and
complex goddess, with plenty of association with Dionysos. And while I
didn't feel like my offerings and prayers fell flat exactly, something
just didn't click.
Something had stuck with me that I had read in Otto's Dionysos: Myth and Cult,
which was that on Cyprus Ariadne was worshipped as Ariadne Aphrodite
(which to me brings to mind Ariadne as deified by Dionysos). So with
this in mind, I made some changes to my shrine intending to focus on
this syncretized aspect. I used red and black cloths, I added a snake
goddess statue I'd acquired many years ago, and a round mirror for
Ariadne's lunar aspects. Admittedly now I've just come to think of it
as "Ariadne's shrine", for I feel she's more complex than this
particular aspect (and likely was a Minoan deity in her own right). So I
hope Aphrodite takes no offense... But it feels less as if I'm
"changing deities" than that I am adjusting my practice to reflect the
goddess that my heart was already resonating with, if that makes sense.
I'm not sure why I was hesitant to do this in the first place... but my
experience with Ariadne has been a bit like the labyrinth itself. She
actually led me to Dionysos to begin with, in Her roundabout way, and
since then I danced around Her for a quite a while before getting to
this point.
I wasn't sure at first where to place a devotional day for Her...
The full moon seemed appropriate considering Her lunar aspects, although
it falls awful close to Dionysos', so I settled on keeping it on the
4th for now. I realized when the day came that this is when the waxing
moon looks very much like bull horns!
All that being said! I spent some time communing with Ariadne on
Her devotional day. Offered up milk and honey, and some white wine, as
well as some lotus-scented incense. I put on some music, and sat down
with pen and paper hoping to gel together some of my haphazard ideas for
an Ariadne festival into something more concrete and organized. And
indeed, I wrote out a very long invocation for her and everything fell
into place for the festival, which is both encouraging and exciting.
I've feel that this will be one of two yearly festivals for her. (This
one in midsummer, the second in the fall.) But since this is my first
attempt at creating a new festival, we shall see how it all turns out!
At the time of posting this, the festival is actually tomorrow! Or today after I've slept, however you wish to look at it.)
One last thing to note -- dreams have been something I've been
thinking about off and on lately (including dream incubation, lucid
dream states, how one might induce oracular dreams, that sort of
thing). It was not something I was thinking about while I was
brainstorming for Ariadne's festival, but nevertheless, the message came
through suddenly that She could be a dream guide. And I thought, Lady
of the Labyrinth, holder of the thread... well that makes sense! I'll
blog more about this as it develops.
Labels:
ariadne,
devotional day,
dreams,
festival,
Otto
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